Barocke Kleinorgel I/P 7:
Manual: Hohlflaut 8´, Viola da Gamba 8´, Principal 4´, Spitzflaut 4´,Octava 2´, Sesquialtera 2f
Pedal: Subass 16´, Pedalkoppel
Stimmung: Mitteltönig, Werkmeister III oder Kirnberger, kurze Unteroktave
In Anlehnung an eine MHS - Übeorgel:
Modern III/P 19
II. Hauptwerk
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I. Positiv (sw)
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Principal 8´
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Gemshorn 8´
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Octave 4´
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Unda Maris 8´
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Blockflöte 4´
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Gedackt 8´
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Quinte 2 2/3´
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Viola 4´ (Tr)
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Superoctave 2´
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Mixtur 4f (Tr.)
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Terz 1 3/5´
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Krummhorn 8´
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III. Schwellwerk
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Pedalwerk
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Gamba 8´
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Offenbass 16´
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Rohrflöte 8´
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Subbass 16´
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Viola 4´
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Flötbass 8´
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Mixtur 4f
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Fagott 16´(Tr.)
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Fagott 16´
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Trompete 8´(Tr.)
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Trompete 8´
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6 Normalkoppeln
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Werkinterne Sub- & Superkoppeln
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Sub I/II, III/II Super I/II, III/II
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Tremulant SW Tremulant Pos
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I & III stehen in einem gemeinsamen Schwellkasten
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Klassisch II/P 30
I. Hauptwerk
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II. Schwellwerk
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Pedalwerk
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Principal 8´
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Bourdon 16´
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Majorbass 16´
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Gedackt 8´
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Engprincipal 8´
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Subbass 16´
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Dolce 8´
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Rohrflöte 8´
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Quintbass 10 2/3´
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Octave 4 ´
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Salicional 8´
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Octavbass 8´
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Hohlflaut 4´
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Vox celeste 8´
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Flötbass 8´
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Quinte 2 2/3´
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Majorflöte 4´
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Choralbass 4´
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Superoctave 2´
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Viola 4´
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Bombarde 16´
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Mixtur 5f 1 1/3´
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Piccolo 2´
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Trompete 8´
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Harm. aetherea 4f 2 2/3´
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Koppeln
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Clairon 4´
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Basson 16´
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SW/HW, HW/PW, SW/PW
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Trompete 8´
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SW/HW 16´, SW 16´,
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Clarinette 8´
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SW/HW 4´, SW 4´
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Clarinette 8´ |
Hautbois 4´
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Tremulant
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Klassisch französisch II/P 24 (25)
I. Grand Orgue
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II. Positif expressive
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Pedal
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Bourdon 16´
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Bourdon 8´
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Subbass 32´ (Extension aus 16´)
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Montré 8´
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Prestant 4´
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Subbass 16´
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Bourdon 8´
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Nasard 2 2/3´
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Octave 8´
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Salicional 8´
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Doublette 2´
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Flûte 8´
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Octave 4´
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Tierce 1 3/5´
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Prestant 4´
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Flûte 4´
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Cymbale III
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Bombarde 16´
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Doublette 2´
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Hautbois 8´
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Trompette 8´
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Cornett V
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Tremulant
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Clairon 4´
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Fourniture IV
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II-II 16´
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I - P
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Trompette 8´
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II - P
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I - I 4´
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II - I
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II - I 16´
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